Vocal: Several vocal-filters that sound like the human voice. Resonator: A comb-filter useful for effect sounds. EQ peak: These modes boost the frequencies around cutoff. Ringmod: Various ring-modulation modes. FM: Frequency-modulation with various waveforms. Aliaser: A lo-fi effect that mirrors frequencies and sounds disharmonic. Resampler: A lo-fi effect that sounds like a cheap digital device. Phaser: Sounds like a phaser-effect-unit. 6 different lowpass filter types (LP), digital and analog with self-oscillation. Our synthesizer offers 38 exciting filter types and true stereo-architechture. Warlock comes with a powerful filter-section. Autochord 3x: Plays a chord with 3 keys. The second osc plays a minor or major third higher. Autochord 2x: Plays a chord with 2 keys. 3:1 / 4:1 / 3:2 / 5:2 / 4:3 / 5:3 / 5:4 stereo: Four detuned oscs are stacked to play a stereo-chord. 2:1 stereo octave: Four detuned stereo oscs are stacked. 2:1 mono octave: Two detuned oscs are stacked. 2x / 4x / 6x / 8x / 10x stereo - Several detuned stereo-oscs are stacked.
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2x / 3x / 5x / 7x / 9x mono - Several detuned mono-oscs are stacked. This is the classic mode which is used by conventional synthesizers. In Warlock you can combine this mode with any kind of waveform or spectrum-table. You also do not have to care about the mono-compatibility of your mix any longer.Ĭlassic Hypersaws are limited to sawtooths. As a result, you get a sound that does not suffer from huge gain-peaks and has more pressure. This means that the amount of beating is minimized statistically. Unlike conventional synthesizers, the Hypersaws in Warlock are phase-optimized. Warlock offers true stereo-oscillators and very wide sound. We've expanded the popular hypersaw concept with a stereo-processing, precise phase-control and the ability to make single oscillators play chords. Each one again can contain up to 10 detuned hypersaw-oscillators and a sub-oscillator. Sync: Provides a sync-like sound, similar to the oscillator-sync function found in some substractive synthesizers Time Chaos: Rotate spectrum in time with silky sound Filter LP down: Low pass filter with falling cutoff Multi Hyper2: Sounds like several noisy waves are playing at once Multi Hyper1: Sounds like several noisy waves are playing at once Multi Flange2: Another flanger-like sound Multi Flange1: Adds a flange effect to the sound
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Multi 2: Sounds like several waves are playing at once for a thicker sound Multi 1: Sounds like several waves are playing at once for a thicker sounds Silky: Makes the waveform sound more silky, soft and noisy Shift up: Moves all harmonics up, resulting ion a brighter sound Spread: Makes sound sharper with more treble Shrink: Shrinks the spectrum and results in a warmer sound Warm: Makes sound warmer and more bassy Bell: Bell sound harmonics, similar to sounds that can be derived from FM synthesis Hollow: Sets all even harmonics to 0, to give a tone like a square waveform You can choose from the following modifiers: The modifier alters the harmonic structure of the sound. Multitap: A multi-tap delay with 19 different rhythmic patterns.Įach spectrum-table can be altered with 25 different modifier-algorithms. Reverb big dark: A large Reverb with a dark sound. Reverb big: A large Reverb with dense reflections. Degrader: A lo-fi effect that sounds like cheap digital devices. Rectify: A hard-knee distortion-effect. Ensemble + Rev: A mix of an ensemble effect and a Reverb. Reverb + PingPo: A combined Reverb and PingPong delay. Reverb + Delay: A combined Reverb and Delay. Rotary: A rotary-speaker effect known from Organs. PingPong FB: A PingPong delay with feedback. PingPong: A delay that pans left and right and syncs to BPM. Delay FB: A delay with feedback that syncs to BPM. Delay: An echo-like delay which syncs to BPM. Reverb bright: A bright sounding reverb. Big decay values will result in an infinite reverb-loop. Reverb: A reverb with variable decay-time. You can select from 18 different effect types: It offers stereo archictecture and two modular slots.
![nemesis vst prive nemesis vst prive](https://www.soundhouse.co.jp/images/shop/prod_img/u/ujam_bmnemesis.jpg)
A signature-sound is generated by its engine, which is capable of providing warm, silky and creamy tones.Warlock comes with an easy-to-use, but high-end quality effects-section.
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NeoFM is more powerful and more easy to program than traditional FM. Nemesis can do all classic digital synthesis methods as well as a new approach called 'NeoFM'.